The Magic of Best Sellers

 by Charlotte Hinger

The making of bestsellers fascinates me. My wonderful agent, Claire Smith (b.1934-d.1998)  once said publishers couldn't hype a book onto the bestseller list. It took buzz. Buzz is when everyone is talking about (and buying) a book. This year's sensation was Lessons in Chemistry. It isn't a great book. It isn't an important book, but I swear it was the most satisfying book I've read in years. 

I loved it. But why? Without knowing the reason, I bought it in hardcover for two granddaughters. 

Another huge bestseller years ago was a non-fiction book, The Life-Changing Magic of Tidying Up.  I wanted to read this book and tried to get it through the library. Believe it or not, there were already 147 holds on the copy. I wasn't willing to be the 148th in line and ordered it through Amazon. Not only was I willing to pay good money for the Japanese author's slender little instruction manual, I had already listened to it on an audiobook. I had even started folding underwear and my socks vertically and started sorting items for Goodwill by category.

My life is basically the same. I do some things well and some things poorly. I have good days and bad days, but mostly my days are pretty satisfying and on the whole I'm a happy person. I have a lot to be thankful for. The book had some great hints, but the "life-changing magic" seemed to bypass me.

So what in the world happened to make such a simple little book zoom to top of best-seller lists? I think that the author was Japanese lent credibility. We associate Japanese décor with uncluttered simplicity. Simplicity is appealing to those of us who are overburdened with the demands of our stressful societies and our plethora of electronic gadgets.

The book has a serene cover with a blue sky. It promises happiness. Serenity. A perfectly ordered house with everything in its place. There is a compelling narrative. The author, Marie Kondo, started down this decluttering path when she was in kindergarten. At the age of five, she could not wait to get home after school and begin organizing her things. It's her passion. She built a business out of organizing stuff.

She's the ultimate authority and very opinionated. No one else could have written from the same point of view.

But making a fortune from tidying up! Who would have thought?

This is a simple book.

There is a lesson here for beginning novelists who complain that they are stuck in ordinary towns with ordinary uninspiring people. The greatest writers see the stuff of stories right in front of them. It doesn't take great adventures to come up with great fiction. And the same could be said of non-fiction.

I write about Kansas. Go on. Say something. I dare you. 

No Place Like Home

                                                                  

I'm back from North Carolina. Two of my daughters live there now. Mary Beth is wrapped up in moving into a new house. I can't think of anything more stressful than moving but she has all these lovely butterflies to compensate.

 She had problems with the moving company at both ends. Nothing too hair-raising, but still. There were a lot of things that needed to be worked out. For instance, the men refused to reassemble any beds they hadn't taken down to begin with. The real work would begin after the men left. So many boxes! And because so many items had set in boxes for over a year she wanted to wash all the kitchenware and wash all the bedding. 

But the house was great. No problems there. That was not true for the other daughter and the huge four-story 100 year+ house. All kinds of work needed to be done. Fortunately they were aware of this situation before they bought it. It's gorgeous and can easily sleep fourteen. 

Can I work North Carolina into my Kansas-based Lottie Albright series?

No! At least not a book based in North Carolina. I could write from an outsider visitor's point of view. In fact, writers do that a lot and it makes for very interesting material.

I write about Kansas. I know what the birds sound like and understand the land. All sorts of details about my native state have been ingrained in my soul.

In 1881, the Kansas Legislature voted a $5000 appropriation for a Home for Friendless Women. Wasn’t that lovely? What do you suppose that was all about? I doubt it was a home for soiled doves, or even women who had gotten themselves in a family way, because society didn’t hesitate to pin brutally accurate labels on people. When I came across "Home for Friendless Women" it gave me the saddest feeling. 

Housing in Fort Collins has become out of reach for so many families now. Rent is sky high and buying is no longer a possibility. 

I'll always be a Kansas-based Dorothy at heart. Because "there's no place like home."

Sweating Reviews

No, I'm not worrying about the reviews my books receive, although I should. I worry about the reviews I give other writer's books. 

Right now I'm reviewing a very difficult academic book, When Sunflowers Bloomed Red: Kansas and the Rise of Socialism in America. The book is not difficult because the writing is poor. But it's hard to capsulize because each chapter is self-contained. It's an excellent, very distinctive book, based on unique research that delves into a little known subject. Heroic research, in fact. 

I can happily recommend this stellar contribution to Kansas history. 

Oh to be able to give good reviews to all of the books I read. Nevertheless, I have a formula. I do not lie, but I do not give negative reviews. It takes a lot of work to write a book. Even a very bad book. It's much easier to find what's wrong with a book than what's right. 

So here's what I do:

1. If  a book is well-written--my review will mention traits that make it special. Perhaps that is characterization, or an intriguing plot. Sometimes I will love a well-developed theme or an author's unique voice. My enthusiasm will show. 

2. If the book is mediocre, I will find some one thing that an author does well. After all, someone did select it for publication. I try to avoid reviewing genres that I normally don't read. Because I don't know what I doing. 

3. If a book is rather poor, I summarize the plot without commenting on the book's merits and suggest an audience for the writing. 

4. If a book is terrible and I think the writer should quit. Period. Never write anything again, I refuse to review the book. I ask the editor to find someone else.

Although I don't lie in a review, I certainly am capable of misrepresenting my reasons for refusal to said editor. I have used such ploys as "I don't have the time." "Something has come up." I hedge. 

But most of the time I simply tell the truth, which is "I don't believe I am the right person to review this book. It's too far removed from my personal tastes for me to be objective."

The truth is I have no idea why someone loves a particular genre and another hates it. For that matter, no one really knows why a book clicks with the reading public. 

The best writing advice I ever received was "write what you really want to write. There's so little money in the business that it's stupid to do it for any other reason."

Two Weeks in One

Ever feel like you've packed too much living into a very short time?

It was that kind of week for me. My daughter had a bad car accident the first of the month. She's doing just fine and will come home Monday. Despite extensive breakage in her upper body (sternum, clavicle, three ribs, and a punctured lung) there were no internal injuries and she was fully alert from the very beginning.

She has a terrific attitude and set to work cooperating with the physical therapists.

Logistics in our family are always complicated. Her youngest daughter will soon start classes at CSU. Her oldest is starting a new job. The deadline for my new mystery is September 1. We've worked everything out. I'll even have the mystery finished by the end of next week.

I drove to Kansas Tuesday to give a talk to the librarians in the Northwest Kansas Libraries System. What a terrific group of people! I was grateful for this opportunity. However, I drove through cascades of rain. It was bizarre. Kansas is usually dry.

Accidents always take a toll and I'm tired. Persons who wait for inspiration before they write are making a mistake. Once a line is crossed--when one assumes the responsibilities of a professional writer--the rules change. Or rather rules come into play for the first time.

I've read there are 75 persons involved in the production of a traditional book. There are many little deadlines that involve creating cover copy, a synopsis, courting the sales reps.

Life becomes capsulized. We learn to juggle. And before you know it, there's a new happy normal and all the balls are back in the air again.

Faraway? Nearby? Places

When I started the Lottie Albright series I fully intended to use fictitious names for places. Because we Kansans are a bit touchy and quick to see an insult where none is intended.

In fact, there's an old joke that someone asked where a man was from. He joked, "Kansas. Now laugh damn you."

Fully half of the counties in Kansas had vicious county seat fights during the organizational stage of development. Of course I couldn't use a real county name. That would just be asking for trouble. So my series is set in Carlton County Kansas. Smart choice. No county in Kansas was ever named Carlton. Some county names disappeared when districts merged.

The town in the series is Gateway City. I don't believe there was ever a Gateway City in Kansas. I was charmed by the headline in a newspaper in Sherman County that declared Goodland was the Gateway to everything important in the West. Sojourners were especially encouraged to stop in Goodland on their way to Denver.

I steered away from existing city names because of the ancient animosity between some of the towns. For instance, in the early 1900s, Goodland hired a rainmaker. But lo and behold, it rained on Colby. Goodland sued it's neighbor for stealing its rain.

Then I messed up. I thoughtlessly said the Fiene family's housekeeper came from Studley, Kansas. I needed that town because it was settled by Englishmen in the 1800s and I wanted Zola Hodson to have been trained in estate management by an English grandfather.

Studley was a lively community. Many of the men were "remittance men." This term was given to English second or third sons who would never inherit under the laws of primogeniture. Only the first sons were blessed with the land and property. Remittance men were paid an allowance and politely urged to get lost. The population of Studley did its best to recreate jolly old England. They rode to the hounds--substituting jack rabbits--and partook of high tea.

Other names crept into other various books. My last mystery, Fractured Families, begins in the strangest place in all Kansas--the Garden of Eden. It is a marvel of grass roots art. The joined sculptures surround a block and endorse a passionate populist political philosophy. No place in the United States can be substituted for the Garden of Eden.

My next book, Silent Sacrifices, contains a lot of information about the Kansas Salt Mines. As with the Garden of Eden, there simply can't be another name used for this powerful geological marvel. Plus, it's creepy. The ideal place for "strange things afoot."

I started out with pure intentions and kept places fictional, but in this state, facts are always stranger than fiction.

Surprise!

 

Actually this meet the author poster from Poisoned Pen Press is the way I looked and felt by the time I finished my Kansas Tour this week. I gave five presentations and although the people are wonderful and easily some of the most attentive audiences anywhere--I always forget about the wind. The drive back to Colorado was just beastly.
It's been a whirlwind of a month. I went to Bouchercon in Canada and had lunch with all the Type M'ers who could make it to the conference. This trip was way too short. We were in Toronto and I didn't have time to do any sight-seeing.

And I'm still running around! I'll be on a plane tonight headed for Tucson for the Women Writing the West conference. My short story, "The Bucket" is a finalist for the Laura award. They will announce our places tomorrow at a special luncheon. I'm honored to be included with these amazing authors.

Monday night I learned that my book, Nicodemus: Post-Reconstruction Politics and Racial Justice in Western Kansas placed second in the Westerners International contest. I'm thrilled and frankly, quite amazed.

Now to get my head out of the clouds and settle down. I need to work on plot problems with Silent Sacrifices.