Superstars 2024

My big 2024 New Year's resolution was to network more with like-minded writers. To follow up on that commitment I enrolled in Superstars Writing Seminars 2024, a writing symposium hosted by Kevin J Anderson and his wife, Rebecca Moesta. The faculty includes names with extensive pedigrees in the science fiction and fantasy genres to include Jim Butcher, Gail Carriger, Kevin Ikenberry, and Charles Gannon. Unlike other writing conferences that focus solely on writing, Superstars bills itself as teaching writers how to succeed in the business of writing. While the emphasis is on indie publishing, a fair number of agents and editors will be available to hear pitches for traditional publishing opportunities. And we'll sell books. Our Bookstravaganza will be open to the public.

My goals at Superstars are to build on the promotional strategies I learned at last year's 20Books Vegas and schmooze with other writers where they typically congregate (the bar). What helps is that Superstars is local to me--more or less--being about an hour south of Denver in Colorado Springs and that I already know many of the visiting writers. If all goes well, I'll probably be kicking myself that I didn't attend Superstars sooner.

Ludimus Deus

I've got great news to share. After years in the making, my YA novel, University of Doom, is ready to hit the streets. In fact, the official launch signing is Wednesday, July 19, at the Tattered Cover-Colfax, here in Denver. Y'all are invited, especially you folks up in Canada.

Kirkus Reviews said this: "A zooming Grand-slam of sci-fi fun."
and you can read the entire review here.

And I have these two blurbs from a couple of writers you may have heard of:

"A fun and zany mad science adventure."
Richelle Mead
#1 International Bestselling Author

"...simply delightful...immediately engaging and wickedly twisted..."
Kevin J Anderson
NY Times Bestelling Author



The original title was FrankenDad. I started writing this book more than ten years ago, and I had high hopes for its reception by New York. Which was zilch. So it stayed on the back burner for years. UofDoom is the sort of book I would've read at 13yo. Back then, there was no YA or middle-grade genre, and even if there was, I wouldn't have read it—I hated stories that were supposed to "teach" me things--preferring adult fiction from HG Wells, Asimov, Leon Uris, John D McDonald, Michael Crichton, and my favorite, Harold Robbins. As the manuscript slowly came together, I pulled from various movie and science-fiction motifs so the story has a wacky retro feel to it. Picture the Marx Brothers doing Ghostbusters doing Frankenstein and Metropolis. I also got my digs in at corporate science who--for the good of humanity--pursue one crack pot scheme after another without much regard to its true consequences or value to society. And what would a book from me be without mashing in assorted conspiracy theories?

Last year Hex Publishers approached me with an offer to publish UofDoom. I had just self-published it to a lackluster start and like most of you have learned, getting attention is especially difficult when you put out a book on your own. Hex commissioned a new cover and juiced some attention. So we'll see. If anyone has real definite answers on how this publishing game works, let me know. In the meantime, please enjoy UofDoom.